Robyn Hitchcock and Emma Swift: Sweet Home Quarantine David Bowie-Europe Show

David Bowie, rocking out in 2004.

Yesterday, Robyn Hitchcock and Emma Swift reprised their all-David Bowie edition of “Sweet Home Quarantine.” Robyn and Emma’s concerts happen through the Stageit website on Wednesday nights at 8PM Central time, a fairly friendly hour for the United States, but less so for those in Europe. So, there’s a second show on Friday afternoons at 2PM Central time. This was the first time I’d tuned in to the Friday show, but since I enjoyed the Bowie show so much, I figured why not?

The setlist was mostly the same as Wednesday night, with some slight differences. Robyn and Emma opened Friday’s show with a great version of “Ashes to Ashes,” followed by “Ziggy Stardust.” More songs from the Ziggy Stardust album followed: “Soul Love,” “Moonage Daydream,” with Emma taking the lead vocal, and “Starman.” “Moonage Daydream” sounded great, and it was interesting to hear it without Mick Ronson’s wonderful guitar solo at the end. Emma also took the lead vocal on “Life on Mars?” which has long been one of my favorite David Bowie songs. Robyn and Emma duetted on “Quicksand,” which features some of Bowie’s most impenetrable lyrics. I have no idea what the song is about, but it’s got a lovely melody. 

Robyn again performed “Heroes” in a stripped-down Lou Reed style, almost the opposite of the anthemic version that Bowie recorded. It was effective and goes to show how if a song is really good, you can perform it in all sorts of different ways. Robyn and Emma did a lovely version of “Sound and Vision,” one of my favorite tracks from the Low album. One of the audience members was Jessica Lee Morgan, a singer/songwriter who is the daughter of longtime Bowie producer Tony Visconti and singer Mary Hopkin. (It’s Hopkin providing the “do-do-do-do” vocals on “Sound and Vision.”) Jessica said that Bowie had greatly increased the volume on Hopkin’s backing vocals during the mixing of the song. Also in the audience was a woman who had lived in the same apartment building in New York City as Bowie. She ran into Bowie in the elevator the day his and Iman’s daughter Lexi was born, and she congratulated him. She didn’t say how Bowie reacted, but in my mind, I picture Bowie, immaculately dressed as always, flashing a toothy grin, saying “thank you,” and then disappearing. 

As on Wednesday, there were lovely version of “Drive-In Saturday,” which I feel is an underrated Bowie gem, and “The Prettiest Star.” The show ended with a great version of “Golden Years,” complete with whistling from Robyn. Although Robyn did sing “in the back of a train car” instead of “dream car,” but that just shows you his preferred mode of transportation. Robyn and Emma sang a verse or two of “Sorrow” as the show closed and promised that “Wild is the Wind” would make an appearance on a future edition of “Sweet Home Quarantine.”