Movie Review: The Burned Barns, Starring Alain Delon and Simone Signoret (1973)

DVD cover of The Burned Barns

It was a chilly weekend in Minnesota, so I decided it was a good time to watch the 1973 French movie The Burned Barns. Starring French legends Alain Delon and Simone Signoret, The Burned Barns is set and filmed in the Doubs region of France, which borders Switzerland. The movie takes place during the winter, and the landscape is cold and forbidding. 

The Burned Barns is a detective story, as a young woman is found stabbed to death in a desolate field. The field is near the farm where Rose (Signoret) and her three adult children live. Judge Larcher (Delon) comes from the city to investigate the case. As he investigates, he begins to suspect that Rose’s family may be involved in the murder.  

I won’t say more about the plot, other than to note that the movie is less about solving the murder and more of a study of character and place. The desolate farmhouse becomes a character of its own. Even when the actors are inside the house, you can see their breath in the air as they speak.  

The cast is all excellent, especially Delon and Signoret as the two leads. Delon could convey so much emotion with so little action, and his minimalist style is used to great effect here. Signoret is terrific as the strong-willed Rose, who is clearly running the show at the family farm. Rose is also very involved, perhaps too involved, in the lives of her two sons, and this is a source of tension.  

As I was watching The Burned Barns, I thought about how the story could easily lend itself to a limited series of 6 or 8 episodes. You have so many fascinating story elements: the isolated, rural community, the harsh winter weather, the inherent tension between the urban Judge Larcher and the townspeople, the way that Rose controls and dominates her family, and the way these attempts at control affect her sons’ behavior. There’s a lot going on in the movie, and there are many avenues a longer series could investigate. 

The cast is full of excellent performances, including Signoret’s daughter Catherine Allegret as Rose’s daughter Francoise. Miou-Miou also has a small but eye-catching role as Monique, the wife of Rose’s younger son Paul. The Italian actor Renato Salvatori has a small role as the owner of the hotel that Larcher stays at. Salvatori appeared in six films with Delon—they played brothers in Rocco and His Brothers, one of Delon’s breakout movies. Salvatori also appeared with Delon in Indian Summer, Le Gitan, Flic Story, and Armaguedon.  

Jean-Michel Jarre’s soundtrack for The Burned Barns reminded me of Wendy Carlos’ brilliant synthesizer score for A Clockwork Orange. Jarre’s eerie electronic score lets the viewer know that things are not quite what they seem in the sleepy village.  

Jarre’s name sounded familiar to me, and when I looked him up on Wikipedia yesterday, I went into a deep dive. The reason Jarre’s name sounded familiar to me, especially in connection with movies soundtracks, is because he’s the son of composer Maurice Jarre, who composed the scores for many of David Lean’s movies like Lawrence of Arabia, Doctor Zhivago, and A Passage to India. Jean-Michel didn’t have much of a relationship with his father, but it’s interesting that he became a musician and composer as well. Jean-Michel Jarre’s 1976 album Oxygene became a million-selling number 1 album in France and launched him as a major star in electronic music. Jarre’s concerts have become major events, and he has held four free concerts that reportedly attracted an audience of over 1 million people, including a concert in Moscow in 1997 that was attended by 3.5 million people.  

Alain Delon’s wardrobe in the movie was outstanding, as he showcased a great collection of winter coats.  

Included as an extra on the Blu-Ray is a 26-minute documentary that details the difficulties director Jean Chapot had in dealing with his two stars. Chapot had directed mainly television and a couple of films before The Burned Barns. But Chapot did not know what to do with Alain Delon and Simone Signoret. After one take, Chapot said nothing, infuriating Signoret, who told him that she needed feedback, even if it was negative. Delon said similar things to Chapot. Ultimately, Chapot simply didn’t show up to the set some days, and Delon took over directing those days. One of the people interviewed for the documentary was Assistant Director Jean-Francois Delon, Alain’s brother.  

The Burned Barns is a fascinating little movie, and one well worth checking out if you’re a fan on French cinema, Alain Delon, or Simone Signoret.  

2026 Contemporary Baseball Era Hall of Fame Ballot Results

The 2026 Contemporary Baseball Era Committee met yesterday, and they elected one new player to the Hall of Fame: Jeff Kent. I’m happy that Kent was elected, but I was a little surprised. I had incorrectly predicted that the Committee would elect Don Mattingly and Dale Murphy. Hopefully next time. 

Kent was elected with 14 of the 16 votes of the committee; next was Carlos Delgado with 9 votes, falling 3 short of election. Mattingly and Murphy both got 6 votes each. Barry Bonds, Roger Clemens, Gary Sheffield, and Fernando Valenzuela all received fewer than 5 votes.  

The Contemporary Baseball Era Players Committee was comprised of: Hall of Famers Fergie Jenkins, Jim Kaat, Juan Marichal, Tony Pérez, Ozzie Smith, Alan Trammell and Robin Yount; MLB executives Mark Attanasio, Doug Melvin, Arte Moreno, Kim Ng, Tony Reagins and Terry Ryan; and media members/historians Steve Hirdt, Tyler Kepner and Jayson Stark. 

I’m a little surprised that Delgado did so well; 9 votes is a great showing for his first appearance on an Era Committee ballot. I’d be fine with Delgado being elected to the Hall of Fame, but I don’t think there’s a burning need for him to be inducted.  

I think everyone in my age bracket was hoping that Don Mattingly and Dale Murphy would be elected. There’s a lot of love for those two players, and it’s easy to understand why. They were two of the most iconic players of the 1980’s, and two players who played the game with honor and integrity.  

I’m not surprised that Bonds and Clemens received fewer than 5 votes. I also see a lot of comments online that Bonds and Clemens should be in the Hall of Fame. I understand that, but I also understand why Bonds and Clemens aren’t in the Hall of Fame. Bonds and Clemens receiving fewer than 5 votes means that they will be left off of the ballot for the Class of 2029. And if they again receive fewer than 5 votes, they’ll be done as Hall of Fame candidates. I wonder if all of the recent rule changes to the Hall of Fame voting, limiting the number of years on the BBWAA ballot from 15 to 10, and now this change to the Era Committees has all been part of a plan to get the steroid guys done with so we’re not arguing about Bonds and Clemens for the next 100 years. 

I’m also not surprised that Fernando Valenzuela received fewer than 5 votes. Honestly, he was lucky to be reconsidered by an Era Committee. Fernando was a fine pitcher for 6 years or so, but if we want that to be the standard for the Hall of Fame, we’re going to have to add a lot more pitchers.  

Jeff Kent’s election is another example of the Era Committee doing the work of electing worthy candidates that the BBWAA has missed. I think the BBWAA does a pretty good job overall of electing worthy players, but the Era Committee has provided much needed oversight and elected excellent players that the writers somehow whiffed on. In January 2023, after Kent’s last year on the BBWAA ballot, I predicted that a committee in the future would correct this oversight.  

It’s interesting to see the list of former players on the Era Committee. Kent’s career only overlapped with 3 of them: Ozzie Smith, Alan Trammell, and Robin Yount. Perhaps these shortstops realized how difficult it can be for middle infielders to gain entry to the Hall of Fame and supported Kent’s candidacy. It’s interesting to see Juan Marichal on the Committee—his career ended in 1975, when Jeff Kent was only 7 years old! Marichal’s career didn’t overlap with any of the players on this ballot. I wonder if the former players on the Committee were the ones who voted for Mattingly and Murphy? I would guess so, but of course I don’t know for sure.  I’d love to be a fly on the wall during the Committee meetings and hear these Hall of Fame players debate the merits of these players’ cases.  

We’ll see in January if any other players will be joining Jeff Kent in Cooperstown in the summer of 2026. 

Milt Wilcox 1983 Donruss #155

For one day, Milt Wilcox was nearly perfect. Pitching for the Detroit Tigers against the Chicago White Sox on April 15, 1983, Wilcox retired 26 batters in a row. He was just one out away from a perfect game when pinch-hitter Jerry Hairston hit a clean single through the infield. Wilcox retired the next batter and had to settle for a one-hit shutout.  

Wilcox’s 1983 Donruss card features a really cool photo of him. He has a look of grim determination on his face as he’s just delivered a ball to the plate. The crowd in the background is blurred and out of focus. I’m a sucker for that type of sports photography, where the player is in focus, but the background is blurred and indistinct. It’s sort of a visual metaphor for how I imagine sports must be for professional athletes—the crowd fades into the background; what’s in focus is only what is right in front of you. All that matters is getting this batter out.  

The back of Milt Wilcox’s 1983 Donruss card also features one of my favorite random facts. After recapping some of Wilcox’s career, the final sentence tells us: “Once raised chinchillas during off-season.” What?? Was there a Milt Wilcox Chinchilla Farm? Why did he only raise them once? Are chinchillas that troublesome or unprofitable? I have so many questions.  

Rediscovering this baseball card made me think more about Milt Wilcox’s career. Wilcox had a 16-year career in the major leagues, finishing with a career record of 119-113. He never won 20 games in a season; he was never an All-Star. He was just a gamer who battled arm and shoulder injuries throughout his career. Wilcox had a taste of glory at the very beginning of his career, as he first came up with the Cincinnati Reds at the end of the 1970 season. He won a game in the NLCS against the Pirates and pitched in two games in the 1970 World Series. But after that promising start, Wilcox was traded to the lowly Cleveland Indians. Wilcox spent the entire 1976 season in the minor leagues. His fortunes started to turn around when the Tigers purchased him from the Chicago Cubs in June of 1976. His major league record at that point was a pedestrian 22-30.  

Wilcox recovered some of his arm strength during the winter of 1976-77 through bowling. By the time spring training started, his arm finally felt healthy again. In June 1977, Wilcox was called up to the Tigers and appeared in his first major league game in two years. In 1978, Wilcox won 13 games, his first time in double digits for a season. He threw 16 complete games, pitching a career-high 215 1/3 innings. From 1978 to 1983, Wilcox won between 11 and 13 games every season. Wilcox was the Tigers’ union representative during these years, including during the 1981 baseball strike. After the 1981 season, Wilcox suffered what his 1982 Donruss card called a “career-threatening” injury, as he sprained ligaments in his right index finger during a charity basketball game. Fortunately, Wilcox healed over the offseason.  

In 1984, Wilcox and the Tigers had an amazing season. The Tigers opened the season with a 35-5 record and never looked back. Wilcox won his first 6 decisions. Wilcox was pitching through an immense amount of pain—he later revealed that he received 7 cortisone injections in his shoulder during that season. Wilcox slowed down during June, and after a loss to the White Sox on July 4, 1984, his record stood at 8-6. Wilcox was on fire for the rest of the year, as he went 9-2 in the second half of the season, to finish with a record of 17-8. Wilcox had won the deciding game of the 1970 NLCS that sent the Reds to the World Series, and in 1984 he threw 8 shutout innings, beating the Kansas City Royals to send the Tigers to the World Series. Wilcox joked that he couldn’t wait for the 1998 postseason, to continue his trend of winning a Championship Series every 14 years. In the 1984 World Series, the Tigers and the Padres split the first two games in San Diego. Wilcox started Game 3 in Detroit, the first World Series game in the city since 1968. He threw 6 innings, scattering 7 hits and giving up just 1 run, as the Tigers won, 5-2. The Tigers won the next two games to win the World Series.  

After his triumph in Game 3 of the 1984 World Series, Milt Wilcox won just one more major league game. He missed most of the 1985 season and signed as a free agent with the Seattle Mariners for 1986. In 13 games with the Mariners, Wilcox went 0-8 with a 5.50 ERA. The Mariners released him in mid-June. But the competitive fire was still there. Wilcox had a tryout with the Giants in 1988, which didn’t lead to him being signed. In 1989, Wilcox pitched for the St. Petersburg Pelicans of the Senior Professional Baseball Association and had a fantastic season, going 12-3 with a sparkling 3.19 ERA. Wilcox was 3-1 in 1990 when the league folded, bringing his professional baseball career to an end. Wilcox’s baseball career began in 1968, a pretty remarkable run.  

While researching Milt Wilcox’s career for this article, I discovered that Milt Wilcox said he had no superstitions. It was just a coincidence that he ate blueberry pancakes on the days that he started and never stepped on the foul line. I appreciate someone with a sense of humor like that.

Milt Wilcox is just a great baseball name. When I was a kid collecting baseball cards, there were players I was just drawn to because they had cool names: Julian Javier, Mike Lum, Bill North, Kurt Bevacqua, Chris Chambliss. Milt Wilcox had a cool name. He was a player whose cards I would buy when I found them in the commons bin. I doubt that I’m related to Milt Wilcox, but my great-grandmother's maiden name was Wilcox, so maybe that accounted for some of my affection for Milt Wilcox.  

Finding this baseball card yesterday was a great reminder that a baseball card set is really 600 or 700 individual stories, each with their own points of interest.