My well-worn paperback copy of Cruising Speed, by William F. Buckley, 1971. Yes, that's my shelf of books by William Buckley and his son Christopher. (Photo by Mark Taylor.) |
William F. Buckley at his desk. |
On December 5, 1970, while at a nightclub with Truman
Capote, William F. Buckley decided to write a journal covering one week in his
life. This experiment ultimately resulted in the highly entertaining book Cruising Speed: A Documentary, published
in September, 1971. Buckley would later revisit this same formula in his
excellent 1983 book Overdrive, which
I previously reviewed here.
Cruising Speed covers
the week of November 30th to December 6th, 1970. This was
an exciting time for Buckley, as the previous month his older brother James was
elected to the U.S. Senate from New York. Buckley was a uniquely busy man, as
he was writing a nationally syndicated newspaper column three times a week,
hosting Firing Line, a weekly
television show about current events, and editing the bi-weekly magazine that
he had founded, National Review.
Buckley encounters many different people throughout the
course of the week, from former heavyweight boxing champion Gene Tunney, who
“has been a very old friend and supporter of NR,” (p.27) to Otto Von Hapsburg, heir to the thrones of Austria
and Hungary, who asks Buckley “whether I would join a very small organization
that meets two or three times a year, in Europe usually, but sometimes in
America, to discuss deeply, and off the record, public policies affecting the
future of the West.” (p.150) William F. Buckley led a remarkable life, and the
nine page index at the end of Cruising
Speed gives some idea of his varied pursuits and interests. Someone should
really write annotated versions of Cruising
Speed and Overdrive, so future
readers will know who all of these people Buckley interacts with were, instead
of having to constantly look them up on Wikipedia.
One of the more interesting tidbits that came up in the
course of Buckley’s week is a letter from Edgar Eisenhower, Dwight’s older
brother, concerning the foundation of John T. Gaty. Gaty was a businessman from
Wichita, Kansas, who bequeathed a significant part of his estate to a
foundation that would support conservative organizations. The trustees that Gaty
named to the foundation included Buckley, J. Edgar Hoover, Edgar Eisenhower,
Barry Goldwater, John Tower, and other prominent conservatives. Incredibly, all
of these men met in Wichita once a year for ten years to distribute money from
the foundation. (Hoover never attended, sending an alternate in his place.)
Someone should really write a book about the Gaty trust, as a fascinating
footnote to the nascent conservative movement.
Buckley’s excellent sense of humor is on display throughout
the book, and perhaps my favorite humorous anecdote from Cruising Speed is the story that Buckley tells about a friend of
his who was entertaining guests from France. Buckley’s friend turned on Firing Line, as Buckley was interviewing
Hugh Hefner. There was a problem with the sound on the TV, so everyone watched
in silence. When the sound came on, the French visitors were shocked as they
had concluded from the body language of the two men that Buckley was the libertine
publisher of Playboy magazine, and
Hugh Hefner was the conservative Republican writer. (p.53)
Throughout both Cruising
Speed and Overdrive you see how
much William F. Buckley enjoyed his life. At the very end of Cruising Speed Buckley writes that his
friend John Kenneth Galbraith, the liberal economist, urged Buckley to give up his
newspaper column, Firing Line, and National Review, to enter academia and
write books. (p.229) Unsurprisingly, Buckley turns down Galbraith’s suggestion.
It’s clear that Buckley loved all of the different things that he did, and if
he had just focused on one thing, he probably wouldn’t have been happy. I
suspect that Buckley enjoyed the challenge of keeping all of those balls up in
the air.
I wish that we saw more of how Buckley wrote, but he was
able to write so quickly that maybe he didn’t have much to say about his
writing process. On the Wednesday covered in Cruising Speed, Buckley is late delivering his column, so he has to
go to the offices of his syndicate, which he only does when the column must be
written immediately. He writes it in half an hour. There are many excellent
passages throughout Cruising Speed, and
one concerns dealing with writers and artists as editor of National Review, “…what it comes down to is this-that concerning certain things, everyone is inaccessible to reason, and the trick is to find out
what those things are, and simply accept the given in the situation.” (p.6) That’s
a great piece of advice, and not just for editors.
After Cruising Speed
was published an interviewer asked Buckley “Don’t you think it a bit much to
write an entire book devoted to the events of a single week?” Buckley’s tongue
in cheek response was “I don’t know. John Keats devoted an entire ode to a
single Grecian urn.” (Quote from Overdrive,
by William F. Buckley, p.154)I wish more people would write books like Cruising Speed, as I would be fascinated
to read what a week in the life of other public figures is like. I suppose that
now, in the never-ending news cycles of 2015, one might encounter more
resistance to the idea, and get more flack for being so supremely solipsistic. The
interesting thing about both Cruising
Speed and Overdrive is that while
they both look into Buckley’s life, they are not overly confessional. Although Buckley
does catalog some personal faults, as he writes, "I do not know why my
memory is so bad, or for that matter why I read so slowly." (p.57) I find
it difficult to believe that William F. Buckley did anything slowly, but there
you have it. Buckley tell us that book critic Isabel Paterson thinks these
problems stem from him not learning to read until the age of 6 or 7, which is
also when he began speaking English, his first language having been Spanish.
Cruising Speed humanizes Buckley. Even if you disagree with his
politics you get to see his incredible work ethic and the humanity that animated
his work. As Malcolm Muggeridge once said of Buckley “What Buckley has is a
sort of sparkle and grace, equally in his speaking, writing, and television
appearances. It is not just a question of agreeing with Buckley. Rather, it is
that in our time free minds are desperately rare and precious, and in him I detect
one.”
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