The cover of Johnny Carson, by Henry Bushkin, 2013. |
Henry Bushkin, Joyce DeWitt, and Johnny Carson, 1980's. |
Henry Bushkin worked for Johnny Carson for eighteen years,
from 1970 until 1988. Bushkin was Carson’s lawyer and one of Carson’s closest
friends during this period of his life. In a 1978 New Yorker profile of Carson, author Kenneth Tynan asked Carson who
he entertained at home, and Carson responded, “My lawyer, Henry
Bushkin, who’s probably my best friend.” It would seem that Bushkin would be as
well-equipped as anyone who knew Carson to solve the enigma that was Johnny
Carson.
Bushkin didn’t talk about Carson on the
record very much until he released Johnny
Carson in 2013. Bushkin’s memoir of his time spent working for Carson
became a best-seller, and it’s the only book of any note about Carson that’s
been published since his death in 2005. Johnny
Carson is certainly a juicy, dishy piece of gossip, as Bushkin relates
numerous stories and anecdotes showing Johnny Carson in a less than flattering
light.
One of the first times that Bushkin met
Carson, the talk show host was organizing friends to break into an apartment
that his second wife Joanne was renting that Carson suspected she was using to
cheat on him. After the break in provided conclusive evidence of Joanne’s
unfaithfulness, Bushkin was summoned by a drunken Carson to meet him at Jilly’s
Saloon, where Carson proceeded to bare his soul to Bushkin, a man he barely
knew. Bushkin quotes Carson as saying, “I can’t quit smoking and I get drunk
every night and I chase all the pussy I can get. I’m shitty in the marriage
department. Make sure you understand this.” (Bushkin, p.38) It’s a great scene,
but as I read it I had to wonder, did it really happen? It just seems a little too
perfect, as Carson also reveals in the conversation that his mother, Ruth
Carson, “deprived us all of any real goddamn warmth.” (Bushkin, p.38) For
Johnny Carson to thus unburden himself emotionally was highly unusual. But
maybe this odd conversation helped to strengthen the bond between Carson and
Bushkin.
After these first emotionally charged
encounters, Carson made Bushkin his attorney, and Bushkin helped in Carson’s
divorce from his second wife, Joanne. Bushkin also moved with Carson when The Tonight Show relocated to beautiful
downtown Burbank in 1972. Carson and Bushkin played tennis regularly together,
and Bushkin and his wife Judy often socialized with Carson and his third wife
Joanna. Working for Johnny Carson was never easy, as Carson expected that he
would always be Bushkin’s first priority.
Johnny
Carson is filled with stories about Carson’s
incessant womanizing, and his frequently icy moods. Johnny Carson shows us Carson at his very best and very worst, and
while that’s entertaining to read about, it's hard to get a picture of what
Carson was like day to day.
Bushkin negotiated Carson’s contract
with NBC in 1980, which paid Carson a whopping $25 million a year. Carson’s new
contract called for him to film three episodes of The Tonight Show a week, for 37 weeks out of the year, which meant
that Johnny was making $225,000 for every episode of The Tonight Show. That’s a pretty good chunk of change. It’s a
measure of the incredible power Johnny Carson had in 1980 that he was able to
cut back his working week to three days.
A provision of Carson’s 1980 contract was
that his production company would sell NBC five television series. This was an
opportunity for Carson to become an even wealthier and more powerful man than
he already was. Bushkin played an active role in the business side of Carson
Productions, and he pushed Carson to become a TV and movie mogul, but Carson
simply wasn’t interested in creating an entertainment empire.
The last part of Johnny Carson gets a little dull, as it deals less and less with
Johnny Carson and more with Bushkin’s involvement in Carson Productions. Bushkin
was eventually fired in 1988, and his relationship with Johnny Carson came to
an end.
Bushkin makes it clear throughout the book that Carson was
an extremely difficult man to deal with. Carson could be blunt in assessing
himself, once saying to Bushkin, “You know I don’t have much of a talent for
happiness. I never have. My mother saw to that.” (Bushkin, p.254)
While Bushkin claimed that he was surprised when he read in
1978 that Johnny Carson considered Bushkin his closest friend, Judy Bushkin,
Henry’s ex-wife, said, “I don’t know if Henry can think of anyone as a friend,
except for Johnny. I’ve never known Henry to be really close to anybody except
Johnny. I think that was true of Johnny as well. They had each other, and that
was that.” (King of the Night, by
Laurence Leamer, p.267)
Maybe it was just the 1970’s setting, but as I read Johnny Carson, I couldn’t help but think
that Henry Bushkin would make an excellent character in a Philip Roth novel. Bushkin
starts out as an earnest Jewish attorney who eventually becomes the selfish
double of his emotionally distant WASP boss. Johnny cheats on his wife, so
Bushkin too cheats on his. The novel would practically write itself. What would
the title be? Bushkin’s Kvetching?
Johnny Carson is
an entertaining read about one of the most interesting American entertainers of
the last half-century, a man whose work still looms large over the late night television
landscape that he helped to create.
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