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| Promotional poster for "The Next Day," photo by Mark Taylor. |
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| David Bowie, 2013. |
When it was announced in January that David Bowie would be
releasing a new album in March, I was ecstatic. I couldn’t believe it, David
Bowie was finally returning to music almost ten years after releasing his last
album. I was so excited for this album to come out. I really thought Bowie was
retired for good, I really feared that I’d never hear any more new music from
one of my idols. And then suddenly, on Bowie’s 66th birthday, the
announcement was made: Bowie was back! It was so thrilling to have it happen
that way, instead of suffering through months of rumors about purported
sessions, having release dates pushed back, etc. It was great to read all the
articles about Bowie in the press, and to see how excited people were about him
again.
I will freely admit that I can’t really be objective in
writing about “The Next Day.” I think it’s fantastic, and I’m just so happy to
have Bowie back. I can’t really compare “The Next Day” to any other Bowie album
simply because its gestation and release are so different from any other Bowie
album. “The Next Day” will always be different from other Bowie albums simply
because it’s his “comeback” album, and because of the near-decade between
“Reality” and “The Next Day.” I will also
admit that I’ve very selfishly been a little annoyed at David Bowie the last
couple of years just because he’s been out of the game for so long. Because
Bowie has been so prolific for so much of his career, and music seems to flow
out of him so naturally, it was tough for me to accept that he might have
simply packed it up and called it a day. I’ve tried to be excited about the few
compilations that have come out since he stepped off the stage in 2004, like
“VH1 Storytellers,” (which I reviewed here) and the belated live CD release
from the wonderful “Reality” tour, but there’s nothing as exciting as a
brand-new Bowie album. It will be very interesting to see what this next phase in
his career brings about. Bowie has said he’s not going to tour, and he hasn’t
given any interviews to promote the album. We’ll see if both those things
continue in the future.
There’s a lot of material to digest on “The Next Day,” 14
songs on the album proper, and 3 bonus tracks on the Deluxe Edition, with not a
cover version in sight. There’s a lot of variety on the album, from rockers to
slow ballads. Bowie’s writing muse is clearly back.
While typical music criticism focuses a lot on the lyrics of
a song, analyzing Bowie’s lyrics is always difficult, as he has for so long
written in a “non-linear” fashion, making typical lyrical analysis a waste of
time. It’s less about the actual meanings of the words and more about the
feelings that the songs conjure up.
I do have to say, however, despite all of my praise for
Bowie, that the album cover for “The Next Day” is one of the ugliest I’ve ever
seen. The designers can talk all they want to about how meta it is, but to me
it’s profoundly unoriginal, just a rip-off of the cover of one of Bowie’s
greatest albums, “Heroes,” plus a white box, with “The Next Day” printed inside
the box in a super boring font. For an artist who’s created some of the most
iconic album covers ever, it’s a profound disappointment.
I’m not going to dissect every song on “The Next Day,”
rather I’ll just mention some of the highlights of the album for me. The first song “The Next Day” is a really great song. It’s
so fun to just hear Bowie’s terrific voice again. “The Next Day” sounds like it
would fit in well on “Heathen” or “Reality.” The song is an aggressive rocker with
lyrics about abusive religious figures. Bowie also uses the word “gormless” in
the song, which means stupid or lacking intelligence. Who else would use
“gormless” in a rock song? Probably only Elvis Costello or David Byrne.
“The Stars (Are Out
Tonight)” is maybe my favorite song on the album. It plays off of the double
meaning of stars, both as celestial bodies and as celebrity bodies. It harkens
back to a lot of Bowie’s best work, which deals with celebrity and fame. It
features a gorgeous and catchy melody. The narrator of the song has an
ambivalent attitude towards the stars, singing:
“We will never be rid of these stars
But I hope they live forever”
“Where Are We Now?”
was the first song released from the album as a single in January. It’s a slow,
melancholy song that references Bowie’s time spent living in Berlin in the late
1970’s. When I first heard it, I wasn’t that impressed, and I found the song
too slow and rather dull. But now that I’ve heard it within the context of the
full album, it’s grown on me and I like it more.
“I’d Rather be High” is the tale of a teenage soldier who
would rather be anywhere else than where he is-in combat. It shows that Bowie’s
talent for writing a song as a character is still intact.
“(You Will) Set the World on Fire” is a driving rocker about
a folk singing girl in Greenwich Village in the 1960’s. The lyrics reference
many of the folk singers of the day, and Bowie even mentions my favorite 1960’s
folk singer, Phil Ochs, as he sings,
“Baez leaves the
stage
Ochs takes notes
When the black girl and guitar
Burn together hot in rage.”
The last bonus track on the album, “I’ll Take You There,” is
one of my favorite songs on the album, and one of the catchiest. It’s a fast
rocker, and the lyrics feature the characters of Sophie and Lev, who wonder,
“What will be my name in the USA?
Hold my hand and I’ll take you there
Who will I become in the USA?”
We don’t really know why Sophie and Lev are trying to get to
the United States, or if they make it there or not. But that’s one of Bowie’s
charms; he doesn’t always spell everything out for us. He leaves a lot for us
to interpret however we want to.
“The Next Day” is a great album, brimming full of ideas from
a master rock musician. Bowie has long been a superlative singer, songwriter,
and performer, and on “The Next Day” he shows that he’s ready to create great
songs once again. No matter what other albums come out in 2013, “The Next Day”
will be a major highlight for me, simply because it’s a very welcome return to
music by one of my favorite musicians.
