Showing posts with label wake up the nation. Show all posts
Showing posts with label wake up the nation. Show all posts

Wednesday, June 4, 2014

Mix CD, "The Best of Paul Weller: The Solo Years-Volume 2"


Paul Weller, looking dapper as usual.


Paul Weller crushing it on stage.
I compiled a “Best of Paul Weller: The Solo Years” mix CD back in January, and Weller has so many great songs from his solo albums that I had to make it a two-disc set. The songs on this CD are still very good; they just didn’t quite make the cut for the first disc. Since Paul Weller just issued “More Modern Classics,” a new greatest hits compilation that covers the years 1999 to the present, I thought now would be a good time to post my own compilation.

Here are the tracks that I put on “The Best of Paul Weller: The Solo Years, Volume 2.”

1. Clues
2. Sunflower
3. Foot of the Mountain
4. Stanley Road
5. Time Passes
6. Pink on White Walls
7. A Year Late
8. Going Places
9. Who Brings Joy
10. Now the Night Is Here
11. One X One
12. Illumination
13. Push Button, Automatic
14. Paper Smile
15. Wishing on a Star
16. One Bright Star
17. Have You Made Up Your Mind
18. Black River
19. Moonshine
20. No Tears to Cry
21. The Piper

Here are some comments about the songs:

“Clues,” from “Paul Weller,” 1992: A jazzy song from Weller’s first solo album, featuring a flute solo. The song starts with Weller crooning, “I’ll meet you on a bus at dawn/an open-topped one if it’s warm.”

“Sunflower,” from “Wild Wood,” 1993: A funky song, with some great guitar work. I love the sound of the drums on this song.

“Foot of the Mountain,” from “Wild Wood,” 1993: A lovely acoustic song, performed by Paul solo with guitar. 

“Stanley Road,” from “Stanley Road,” 1995: The driving title track from one of Weller’s best albums, with pounding piano, the lyrics deal with Weller’s childhood memories of the neighborhood he grew up in.

“Time Passes,” from “Stanley Road,” 1995: A beautiful ballad. It’s a tender song about meeting an ex-girlfriend on the street. One of my favorite Weller ballads. 

“Pink on White Walls,” from “Stanley Road,” 1995: A jaunty, delightful, Alan Price-like number.

“A Year Late,” bonus track on “Stanley Road,” 1995: This song has a hypnotic melody and strings backing Weller’s guitar. It’s a song about unrequited love, as Weller sings, “Is it true, what I feel for you/wish I could help it through/so you could feel it too.” “A Year Late” really should have been on the “Stanley Road” album. 

“Going Places,” from “Illumination,” 2002: The kind of bright, summery song that Weller can seemingly turn out at will. 

“Who Brings Joy,” from “Illumination,” 2002: A gentle song that shares a lyrical theme with the Nat King Cole song “Nature Boy.” Weller sings, “And all you ask/in return/is to be loved/and love you I must,” which echoes “The greatest thing/you will ever learn/is just to love/and be loved in return” from “Nature Boy.” 

“Now the Night is Here,” from “Illumination,” 2002: Another excellent Weller tune about falling in love, as he sings, “Let’s you and I blow gently on/the embers of today/now the night is here to tell us/to be in love.” I’m betting that this song worked it’s magic on females Weller sang it to.

“One X One,” from “Illumination,” 2002: Very catchy song, I love the lyrics “Like electric lights in a ballroom scene/going on one times one.” 

“Illumination,” from “Illumination,” 2002: Yes, another song from “Illumination,” Weller’s excellent 2002 album. But the guy just keeps writings catchy songs with great melodies and good lyrics! A great guitar pattern gives this song it’s hook. I love the way Weller lightly sings “cha” as the guitar riff plays-it just sounds so perfect. 

“Push Button, Automatic,” bonus track on “Illumination,” 2002: Weller enters Kinks territory here, as he channels Ray Davies in writing a song about a guy who starts spending all of his time online. Weller sings, “Just a push button, automatic kind of guy/looking at the liquid crystal night after night/chat room hard core looking to find/my wrists are aching on screen I’m faking.” It’s a very funny song, and one that’s even more relevant now in 2014 than it was in 2002. 

“Paper Smile,” from “As Is Now,” 2005: “What’s in a life/if you don’t live it?” Weller asks in this rocker, from his superb album “As Is Now.” 

“Wishing on a Star,” from the live album “Catch-Flame!” 2006: This is the only cover I included on the 2 discs. It’s a gorgeous cover of a 1978 song from the R&B group Rose Royce. Weller gives the song a soulful reading, and it’s a good fit for his style. Features excellent guitar work from Steve Cradock. 

“One Bright Star,” from “22 Dreams,” 2008: Continuing the “star” theme, this is a Spanish-tinged song from “22 Dreams.” 

“Have You Made Up Your Mind,” from “22 Dreams,” 2008: A catchy, funky tune that finds Weller pining after a girl. “There’s a love light breaking through the dawn/but where will I be when morning comes?” 

“Black River,” from “22 Dreams,” 2008: Tuneful song with nice lyrics, as Weller sings, “The story’s still unfolding and like the river rolling/it’s always moving like the tide/seemingly unchanging/but of course nothing stays the same you’ll see.” 

“Moonshine,” from “Wake Up the Nation,” 2010: A rollicking song from Weller’s aggressive album “Wake Up the Nation.” A pounding piano accompanies Weller as he spews out lyrics about being “A bag of nerves/I seem to suppress.” 

“No Tears to Cry,” from “Wake Up the Nation,” 2010: I like “Wake Up the Nation” a lot, but I feel that it’s songs go very well together, so it’s difficult for me to pick songs off the album for a compilation. This is a soul-influenced tune with a nice groove. 

“The Piper,” bonus track on “Sonik Kicks,” 2012: This is a throwback to 1960’s soul, with a very funky bass line. The lyrics are very 60’s too, as Weller sings, “On the promise of tomorrow I was swept along.” It’s a lovely song, and a very nice way to finish off the CD.

Thursday, January 9, 2014

Mix CD: "The Best of Paul Weller-the Solo Years"


Paul Weller

I’ve been kind of obsessed with Paul Weller’s solo albums lately. I’m a big fan of Weller’s group The Jam, which is how I first got into Weller’s music. At some point I decided to give his solo albums a try, and I’m very glad I did. Weller’s solo work is generally quite different from his more aggressive work with The Jam, as his solo albums are very jazzy and in general a little more laid-back. Of course, there are exceptions to this, like 2010’s “Wake Up the Nation,” which is the complete opposite of laid-back. I’ve gradually collected all of Weller’s solo albums and I’ve been re-listening to them a lot in the last few weeks. I made a mix CD of my own favorite Weller solo tracks, which I dubbed “The Best of Paul Weller-The Solo Years.” Here are the tracks I put on it:

1. Remember How We Started
2. Amongst Butterflies
3. Above the Clouds
4. Bull Rush
5. Wild Wood
6. You To Something To Me
7. Mermaids
8. Peacock Suit
9. Science
10. Sweet Pea, My Sweet Pea
11. Leafy Mysteries
12. It's Written in the Stars
13. Come On/Let's Go
14. Here's the Good News
15. From the Floorboards Up
16. I Wanna Make It Alright
17. Blink and You'll Miss It
18. 22 Dreams
19. All I Wanna Do (Is Be With You)
20. Wake Up the Nation
21. The Attic
22. When Your Garden's Overgrown
23. That Dangerous Age

All songs written by Paul Weller. Here are some brief comments about the songs:

“Remember How We Started,” from 1992’s “Paul Weller” After The Jam broke up in 1982, Weller quickly formed a new group, The Style Council, which enjoyed great success in the UK. However, by the end of the 1980’s The Style Council’s popularity was on the wane, and when their record label rejected their album “Modernism: A New Decade” in 1989, the group broke up. (The album was finally issued as part of a box set in 1998.) Weller was at loose ends, and eventually he decided to re-launch his career as a solo artist. His first solo album, “Paul Weller,” came out in 1992. It’s a low-key, jazzy affair, and for me “Remember How We Started” is one of the highlights, a sexy song that details how a love affair began. “Better to cry than never smile” Weller sings, as he aches to go back in time to the beginning of that relationship.

“Amongst Butterflies,” from “Paul Weller.” Again, a very jazzy song, all about a summer relationship. “And in the woods was a soldier’s tomb/the ghost of which looked over you” is one of my favorite lines from the song that really sets the scene. Weller also has some great live versions of this song. 

“Above the Clouds,” from “Paul Weller.” Another jazzy song about summer. I think I sense a theme here…

“Bull Rush,” from “Paul Weller.” The lyrics refer to the plant, which grows near water. A little more up-tempo than the previous songs.

“Wild Wood,” from “Wild Wood.” A gentle acoustic song, from Paul’s second solo album. 

“You Do Something To Me,” from “Stanley Road.” Not to be confused with the Cole Porter song of the same name. I could have picked more songs from “Stanley Road,” since it’s considered one of Weller’s best solo albums. But I just got “Stanley Road” a couple of weeks ago, so it’s the album of his that I’m least familiar with. Some of the songs from “Stanley Road” will definitely go on Volume 2 of the best of Weller’s solo years.

“Mermaids,” from “Heavy Soul.” A jaunty rocker, with a catchy “sha-la-la” chorus. 

“Peacock Suit,” from “Heavy Soul.” A strutting rocker, with great riffs and a defiant Weller singing the chorus, “I don’t need a ship to sail in stormy weather/don’t need you to ruffle the feathers/of my peacock suit.” I love the image of a peacock suit, and the kind of self-obsessed person who would wear such a suit.

“Science,” from “Heavy Soul.” Another up-tempo song, with another excellent chorus. “I’ve got a pen in my pocket does it make me a writer/standing on the mountain doesn’t make me no higher/putting on gloves don’t make you a fighter/and all the study in the world doesn’t make it science.”

“Sweet Pea, My Sweet Pea,” from “Heliocentric.” A folky sounding tune about Weller’s “sweet pea” girlfriend. 

“Leafy Mysteries,” from “Illumination.” A rocker that has a very 1960’s feel, and ends with a Who-like flurry of drums and power chords.

“It’s Written in the Stars,” from “Illumination.” This song opens with a very catchy horn sample and slips into a good groove. 

“Come On/Let’s Go,” from “As Is Now.” This is a great Weller rocker, featuring aggressive vocals and guitar work. “As Is Now” is one of my favorite Paul Weller albums, so I picked quite a few songs from it. “Come On/Let’s Go” has some great lyrics, like: “There really is no purpose/definitely is no need/to go running round the houses/like a racehorse on speed.” 

“Here’s the Good News,” from “As Is Now.” This is one of my favorite Paul Weller songs. It has a very Kinks/Alan Price sound to it, and it features a trombone solo. 

“From the Floorboards Up,” from “As Is Now.” Great charging rocker, with tons of kinetic energy.

“I Wanna Make It Alright,” from “As Is Now.” A tender, gentle ballad, as Weller croons, “I wanna be the kind you want to come home to/I want to be the one who gets to make it with you.”

“Blink and You’ll Miss It,” from “As Is Now.” A heavier rocker, with lots of fuzzy guitar.

“22 Dreams,” from “22 Dreams.” “I had 22 dreams last night/and you were in 21/last one I saved for myself/just to save my soul” Weller sings in this frantic song from his epic 2008 album. 

“All I Wanna Do (Is Be With You),” from “22 Dreams.” This song shares some lyrical similarities to Bob Dylan’s 1964 song “All I Really Want To Do,” but Weller’s song is better because Weller can actually sing and write a decent melody line.

“Wake Up the Nation,” from “Wake Up the Nation.” A rollicking number from Weller’s hard-edged 2010 album, with Paul exhorting listeners to “Get your face off the Facebook and turn off your phone.” 

“The Attic,” from “Sonik Kicks.” An energetic, pulsating song from Weller’s most recent album. 

“When Your Garden’s Overgrown,” from “Sonik Kicks.” Weller’s lyrics sound a little Bryan Ferry-like here. “Drinking wine in the Moulin Rouge/sipping coffee in Berlin/might take in the colored lights/in the city they call sin.” 

“That Dangerous Age,” from “Sonik Kicks.” A great catchy tune about a man who “Every chance he gets to fly he goes high in his car,” and who likes “3 sugars in his coffee.”