The cover of the 1999 paperback reissue of In Our Time, by Tom Wolfe, originally published in 1980. As usual, it's photographed on my Tom Wolfe bookshelf. Photo by Mark C. Taylor. |
Tom Wolfe. |
In Our Time is
surely the most inessential Tom Wolfe book. Released in 1980, it’s a grab bag
of very short articles and drawings, some of which had already been released in
other Wolfe collections. To be cynical, one might think that it was issued purely
as a cash grab, riding closely on the coattails of Wolfe’s hugely successful
1979 bestseller The Right Stuff.
The title comes from a column that Wolfe had in Harper’s magazine, which featured
drawings by Wolfe and text to accompany them. These are collected in chapter
three of the book. I like Wolfe’s drawings in this section the best, as I find
them more nuanced than his earlier work.
The first chapter, “Stiffened Giblets,” is the most
substantive part of In Our Time, and
is very good as a short social history of the 1970’s and why they were such a
transformative decade. Wolfe writes about co-ed dorms, marijuana, divorces, and
other trends of the ten-year stretch that he so smartly called “the Me Decade.”
The second chapter, entitled “Entr’actes and Canapes” reads
like memos Wolfe wrote to himself of ideas for articles that he never found the
time or energy to write. As such it’s frustrating at best, as you get little
glimpses of Wolfe’s sharp eye, but not the satisfaction that comes from reading
his longer pieces. My favorite nugget from this section is Wolfe’s comment
about the 1974 movie of The Great Gatsby,
starring Robert Redford and Mia Farrow: “Nevertheless, Gatsby, followed as it was nearly four years later by Saturday Night Fever, ruined one of the
main joys of my life: wearing white suits.” (In Our Time, p.19)
After the “In Our Time” chapter, the rest of the book is
filled with Wolfe’s drawings, and precious little of his writing. In these
sections of the book, there are drawings recycled from The Kandy-Kolored Tangerine-Flake Streamline Baby, The Pump House Gang,
Mauve Gloves & Madmen, Clutter & Vine, and The Painted Word. This recycling begs the question, what’s the
purpose of In Our Time? It might have
made more sense if it were just a collection of Wolfe’s drawings, rather than a
bunch of drawings plus a couple of half-baked chapters. It’s just so obviously
a literary smorgasbord of whatever he had lying around, plus some stuff that
had already been published. Maybe Wolfe cobbled together In Our Time as a diversion while he was planning his first novel.
In Our Time is the
one book of Wolfe’s that isn’t even
mentioned at all in Conversations with
Tom Wolfe. No one ever asked Tom Wolfe about it! No one had any questions
about it! It’s surely Wolfe’s most obscure book, and it’s one for the die-hard
fans only.
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