The cover of Robyn Hitchcock and the Egyptians 1986 LP Element of Light. |
Last night’s “Sweet Home Quarantine” Stageit show with Robyn
Hitchcock and Emma Swift focused on Robyn’s excellent 1986 album Element of
Light. The intent was to play the whole album straight through, which
almost happened, but of course Stageit cuts all the concerts off at exactly 50
minutes, and so Robyn had about one more verse left of “Lady Waters and the
Hooded One” to get through when the show ended. Oh, well. The concert was a
reminder of what a strong album Element of Light is, and how many
fantastic songs are on it. Robyn’s guitar work was also front and center, and it
was a great showcase for his talents as a guitarist. There are numerous songs
on Element of Light that you don’t really think of as “guitar songs,”
but they sure translated well to the guitar.
Robyn opened the show with “Ghost Ship,” a song that didn’t
actually make the album, but eventually surfaced as a B-side. I don’t think I’d
ever heard it before. Then Emma joined Robyn for great versions of “If You Were
a Priest,” “Winchester,” and “Somewhere Apart.” Robyn said that “Somewhere
Apart” was influenced by John Lennon’s song “Remember.” I’ve always though that
“Somewhere Apart” was one of Robyn’s most Lennonesque songs—you could probably
fool someone into thinking it was a John Lennon outtake. Emma added gorgeous
harmonies to “Winchester,” and after the song ended Robyn asked her, “How do
you harmonize with this?” Emma laughed and responded, “I don’t know sweetheart!”
It was a cute moment.
Robyn sang “Ted, Woody, and Junior” solo, and then Emma
returned for “The President,” a song that Robyn reminded us was about Ronald
Reagan back when we all thought that Ronald Reagan was as bad as it could get. “Raymond
Chandler Evening” was a highlight, with some great harmonies from Emma, and
then we were on the humorous “Bass,” and the lovely “Airscape,” probably one of
Robyn’s best songs. Robyn’s guitar playing was outstanding, and Emma’s
harmonies added a lovely touch. Robyn was solo on “Never Stop Bleeding,” and
the evening ended with the haunting “Lady Waters and the Hooded One,” a song that
fits our pandemic quite well.
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