Philip Roth, 2012. Photo by Fred R. Conrad, from The New York Times. |
Book jacket for Nemesis, 2010, which may be Philip Roth's last book. |
The acclaimed novelist Philip Roth recently announced his
retirement from writing. This news makes me sad. I’ve just started recently to
read Roth’s work and I think he’s a great writer. I read Roth’s novella Goodbye, Columbus when I was in college
in either 1999 or 2000. I liked it, but I don’t remember too much about it; I
need to re-read it. The first book of Roth’s that I seriously read was his 2010
novel, Nemesis, which, ironically
enough, may well turn out to be his very last book. I was bowled over by Nemesis, which I wrote a review of here.
I liked Nemesis so much that I decided
now was the time to start reading some of Roth’s other books. So last winter I read
his 1973 book, The Great American Novel, which
is a very amusing title for a book. Philip Roth can say that he literally wrote
The Great American Novel! Roth’s book
may not be the definitive “Great American Novel,” but it’s pretty good and very
funny. And it’s about baseball, my favorite sport. For The Great American Novel, Roth invented a fictional third major
league of baseball, the Patriot League. The basis for most of the book is that
during World War II, the owners of the Port Ruppert Mundys lease the stadium to
the government, thus forcing the Mundys to play the entire season of baseball
on the road. Which may sound like a crazy idea, but it’s the kind of idea that’s
just stupid enough for major league baseball to have tried. The Great American Novel is a book I would
recommend to baseball fans looking for a farcical take on the game. It’s very
clear from the way the book is written that Roth is a big baseball fan. I don’t
think he’s ever written anything else about baseball, which is surprising. I’m
certainly not an expert on Philip Roth or his work, but I’m very interested to
read more of his novels.
Roth sounds pretty definitive in his pronouncement of
retirement. He told the French magazine Les InRocks, “I decided that I was done
with fiction, I don’t want to read any more of it, write any more of it, and I
don’t even want to talk about it anymore. I have dedicated my life to the
novel: I have studied it, I have taught it, I have written it and I have read
it. To the exclusion of almost everything else. It’s enough. I no longer feel
this dedication to write that I have experienced my whole life. The idea of
struggling once more with writing is unbearable to me.” (Translation from The New York Times.) That sounds like a
man who has definitely made up his mind. In an interview published today in The New York Times, Roth says that he
has a Post-It on his computer that reads “The struggle with writing is over.”
Roth said, “I look at that note every morning and it gives me such strength.”
Yep, he sounds serious about retiring. It’s rather surprising to me to hear
Roth describe writing as a struggle, since he’s been so prolific lately. I know
all creative endeavors are a struggle to one degree or another, but the words
seemed to be coming easily for Philip Roth, he doesn’t seem to be suffering
from writer’s block. In fact, of the 31 books that Roth has published since 1959,
15 of them have been published since 1990, an extraordinary period of
creativity. And since Roth hasn’t published anything since Nemesis in 2010, that means that he published 15 books in just 20
years, which is very productive for a serious literary fiction writer. And
those 15 books were nearly all highly acclaimed works, winning Roth the
National Book Award, the Pulitzer Prize, the National Book Critics Circle Award,
and three PEN/Faulkner Awards for Fiction. However, after finishing Nemesis, Roth felt that he might want to
retire, so he spent a lot of time re-reading other fiction that had inspired
him, and re-reading almost all of his own books. “So I read all that great stuff,
and then I read my own and I knew I wasn’t going to get another good idea, or
if I did, I’d have to slave over it. I know I’m not going to write as well as I
used to. I no longer have the stamina to endure the frustration. Writing is
frustration — it’s daily frustration, not to mention humiliation. It’s just
like baseball: you fail two-thirds of the time. I can’t face any more days when
I write five pages and throw them away. I can’t do that anymore.” Roth’s
baseball metaphor is an apt one. A .300 batting average in baseball has long
been the hallmark of a successful hitter. But a .300 batting average still
means that you’re failing two-thirds of the time. And a writer could fail much
more than two-thirds of the time and still come up with brilliant work when
they do succeed. But no one except the writer knows how often they fail, how
many times the day’s work ends up in the trash can, or how one great page was
edited down from nine sub-standard pages.
According to the Times
article, Roth has appointed Blake Bailey as his biographer, and Roth is
assisting Bailey as he combs through Roth’s archives. Bailey has written acclaimed
biographies of Richard Yates and John Cheever, so the biography of Roth should
be a treat.
Here’s a link to the Times article, it’s very much worth reading, as Roth says it’s his last
interview. There’s also an audio clip of Roth talking to Charles McGrath, the
author of the article. I was struck by how young Roth sounds. He doesn’t sound
like a 79-year-old; he sounds like he’s 40 or 50. The photograph of Roth by
Fred R. Conrad that accompanies the article is also very nice, and I’ve posted
it above. Roth looks good for his age, and his eyes show his intelligence-they
look soulful, penetrating, and determined.
As a reader, it’s easy to be greedy and always want more
from a favorite author. But the fact is that Philip Roth is going to turn 80
next March, and he’s been producing remarkable fiction for the last 50 years,
so I suppose it’s certainly fair for him to say, “That’s enough.” I hope Philip
Roth enjoys his retirement from writing, he’s certainly earned it.
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