Book Review: Lana: The Lady, The Legend, The Truth, by Lana Turner (1982)

Book cover of Lana: The Lady, The Legend, The Truth, by Lana Turner, 1982.

The beautiful and glamorous Lana Turner at the peak of her beauty.

Another glamorous still of the lovely Lana.

Lana making her dramatic entrance in The Postman Always Rings Twice, 1946. It's no wonder that John Garfield was willing to kill for her. 

Lana Turner was one of the biggest movie stars in the 1940’s and 1950’s and also one of the most beautiful and glamorous. Turner was well known for her stunning beauty, and also for her dramatic personal life. She was married 8 times to 7 different men. None of her marriages lasted longer than 5 years. Turner chronicled her extraordinary life in her 1982 autobiography Lana: The Lady, The Legend, The Truth. The book actually started as a biography of Turner by movie critic Hollis Alpert, but once he interviewed her for the book, it slowly turned into her autobiography, which explains why Alpert’s name is listed as one of the copyright holders.

Lana the book is an interesting look at the woman behind the image. However, the book is not without its faults. The ending of the book is oddly rushed, as the last 11 years that the book covers, from 1971-1982, take up only the last 15 pages. Granted, those are not the most fascinating years of Lana Turner’s life and career, but it felt like she suddenly ran out of time and rushed the ending. And suddenly, in the last four pages of the book, Turner has a religious awakening. This seemingly life-changing moment is catalogued without much detail. 

The real focus of Lana is on her husbands, and not her movies. Unfortunately for fans of old Hollywood, there’s not much behind the scenes information on any of Turner’s movies. We learn that Clark Gable, her most frequent co-star, was nice to her, but she only saw him socially once. There’s a lot that Turner doesn’t tell us, which holds back Lana from being a classic Hollywood autobiography. Who were Turner’s good girl friends who she socialized with? What leading men did she like playing opposite? We never find out because Turner simply doesn’t tell us. It’s too bad there isn’t more focus on her acting and her movies, because Lana Turner had true acting talent, and she was much more than just a pretty face. 

Turner had an unfortunate penchant for marrying men who were bad for her, and the catalogue of failed marriages eventually becomes numbing. It also begs the question, why did she marry so many men who were not suited for her? Turner attempts to answer the question, but doesn’t come up with a very satisfactory answer. Turner wrote:

“With the exception of dear Fred May, who is still my good friend, all my husbands have taken, and I was always giving. Why? Well, I was always a giver, even as a little girl. If I had candy and you had none, I’d give you half of mine….But that’s an easy answer, one I’ve used all my life. Now I see that somewhere there was a pattern, something in me that made me choose takers, over and over again. Surely I should have learned that, when respect goes out the door, love flies out the window. So why did I lose respect again and again? I honestly don’t know. Once would have been enough for some people.” (Lana, p.249) 

My own guess is that Turner must have had low self-confidence when it came to her relationships with men. Turner once said, “My plan was to have one husband and seven children but it turned out the other way.” She got off to a bad start at age 19 by eloping with big band-leader Artie Shaw to Las Vegas on their very first date! Shaw proved to be selfish and mean, and the marriage soon collapsed. Husband number 2 was Steve Crane, who eventually became a successful restaurant owner. Turner and Crane married twice because when they first got married Crane wasn’t divorced from his first wife. Oops! Crane fathered Turner’s only child, her daughter Cheryl Crane. Steve Crane inspired perhaps my favorite line in the book. While Turner was pregnant, he bought a tiny lion cub as a pet. Why, I don’t know. Turner writes, “With a baby coming, having a lion around the house seemed too risky to me.” (Lana, p.73) Good call Lana! 

In between husbands 2 and 3 Turner had a passionate affair with matinee idol Tyrone Power, who Turner describes as her true love. But Power was in the process of getting divorced from his first wife, and when she got pregnant with his child they weren’t able to marry. Turner writes about wanting to go away and have the baby in secret and then claim she adopted it. But she dismisses it as a foolish idea, even though it’s exactly what Loretta Young did when she got pregnant with Clark Gable’s baby. Young’s career survived unblemished. Power left for a press junket in Europe, leaving the ball in Turner’s court about whether to keep the child or not, saying it wasn’t his decision to make. Power contacted Turner via shortwave radio during his trip and she told him “I found the house today,” which was their secret code that meant she decided to have an abortion. When Power returned to the United States, he had fallen in love with actress Linda Christian, who would become his second wife. 

Husband number 3 was millionaire Bob Topping, who had a drinking problem and spent too much money. When Topping proposed to her, Turner told him “You know I don’t love you.” (Lana, p.109) Which is a good sign that you shouldn’t marry someone. But she eventually said yes. Turner makes it sound as though she wanted someone who would take care of her monetary needs, but did she really want to quit making movies and become a lady of leisure? She never answers definitively. Depressed and despondent over the failure of her marriage to Topping, Turner attempted suicide in late 1951, taking an overdose of sleeping pills and slashing her wrist. Her manager Ben Cole saved her by breaking down her bathroom door. The incident was covered up, and the official story was that Turner had slipped in the bathroom and broken the glass of her shower door, thus injuring her wrist. Husband number 4 was actor Lex Barker, most famous for playing Tarzan. According to Turner’s daughter Cheryl Crane, Barker sexually abused Crane, and once she told her mother about the abuse, she promptly left Barker. Turner doesn’t mention this in her autobiography.

In between husbands 4 and 5 was the most notorious relationship of Turner’s life, her year-long affair with minor mobster Johnny Stompanato, a former bodyguard for gangster Mickey Cohen. He introduced himself to her as “John Steele,” and had no inkling of his ties to gangsters until much later in their relationship. Stompanato was relentless in his pursuit of Turner, obsessively sending her flowers and trying to get her to go out on a date with him. Turner had a queasy feeling from the beginning about him, but unfortunately she finally went out with him. He quickly proved to be abusive and controlling. Once Turner learned of his connections to the underworld, she feared the bad publicity that would result if it became known that she was dating him. Ironically, Turner’s nightmares of bad publicity would come true, but not in any way she could have imagined. Turner wanted to end her relationship with Stompanato, but she proved unable to get rid of him. In the midst of this crisis, Turner was nominated for Best Actress for her role in Peyton Place. After the Oscar ceremony on March 26, 1958, when Turner came home to Stompanato that night, he went into a violent rage and brutally beat her, slapping her and punching her repeatedly. Turner wrote, “There were welts all over my face and neck, and the beginnings of what would be terrible bruises.” (Lana, p.194) Just a week later, on April 4^th, Turner and Stompanato had another loud argument and he was threatening her again. Turner’s daughter Cheryl was listening to their argument, and entered the room. Holding a kitchen knife, she stabbed Stompanato in the stomach, killing him. The incident was a huge Hollywood scandal, and Turner saw her private life splashed all over the front pages. Cheryl’s stabbing of Stompanato was ruled a justifiable homicide, and she was spared having to go to jail. Luckily for Turner, the scandal didn’t ruin her movie career, as Peyton Place’s box office totals were probably helped by all of the press coverage.

Husband number 5 was Fred May, who sounds like he was a really nice guy. He’s the only one of Turner’s ex-husbands that she remained close friends with, and Turner admits in the book that maybe she shouldn’t have divorced him. Husband number 6 was Robert Eaton, who misused lot of Turner’s money and threw extravagant parties when she was out of the country. Her final husband was nightclub hypnotist Ronald Pellar, also known as Ronald Dante. He allegedly stole a lot of money and jewelry from Turner. Turner declared herself finished with men at that point and never married again. I guess she knew that once she had basically married Gob Bluth, Will Arnett’s character from “Arrested Development,” she probably shouldn’t get married again. 

To her credit, Lana Turner was a survivor. She made it through 7 failed marriages, 2 abortions, 3 stillbirths, and she still kept going. That takes guts, and you have to respect someone who has been through all that.

Tyrone Power, Classic Hollywood Movie Star

Tyrone Power, 1914-1958.

Tyrone Power at the beginning of his movie career, mid 1930's.

Charles Laughton and Tyrone Power in Witness for the Prosecution, 1957.

Billy Wilder’s 1957 film Witness for the Prosecution, based on the play by Agatha Christie, was the last movie the popular matinee idol Tyrone Power completed before his death the following year. Witness for the Prosecution starred Power as a man on trial for murder, Charles Laughton as his defense attorney, and Marlene Dietrich as his wife. It’s an interesting movie, with especially good performances from Laughton and Power. Laughton plays Sir Wilfred Robarts, a defense attorney who is recovering from a heart attack, and his nurse Miss Plimsoll, (played by Laughton’s real-life wife Elsa Lanchester) is eager for Sir Wilfred to not take any new cases that might cause him to overexert himself. Then in walks Leonard Vole (Power) a man who is about to be arrested for the murder of an older widow who recently changed her will to make Vole the beneficiary of her estate. Vole protests his innocence, and Sir Wilfred, highly intrigued, agrees to take the case. Power is very effective because the actor playing Leonard Vole needs to be sympathetic and likable, and Power was both of those things. Since the end of the movie expressly told me not to reveal all of the surprises of the plot, I won’t say anything more about what happens. No spoiler alerts for 57 year old movies here!

I’m using Witness for the Prosecution as an excuse to write a short piece about Tyrone Power’s film career. I don’t claim to be an expert on Power’s career, as I’ve only seen three of his movies: Witness for the Prosecution, The Black Swan, and the excellent film noir Nightmare Alley. Power had an interesting, and highly successful, career. He was an extremely popular movie star for more than 20 years, from the mid 1930’s until his untimely death from a heart attack at the age of 44 in 1958.

Power was under contract to 20^th Century Fox for the majority of his career. Power’s striking good looks assured him of a substantial female fan base, and he quickly became one of the most popular matinee idols of the late 1930’s and early 1940’s. Power was an amazingly handsome man who won the genetic lottery big time with his thick dark hair, lively eyes, chiseled features, high cheekbones, dramatically arched eyebrows, and winning smile. Power acted in a great variety of movies, and he found success in many different film genres, including period dramas, light comedies, westerns, war movies, and swashbuckling action films. 

Although Power was an extremely popular movie star for a long time, I would wager that few people under the age of 50 today know who he was. Power’s long filmography is unfortunately not terribly distinguished. His movies, for whatever reason, have not made it into the canon of “great movies.” Power never won an Oscar. Indeed, he was never even nominated for an Oscar. He doesn’t have one signature performance that every movie fan has seen.

Power’s career is similar to that of his swashbuckling contemporary, Errol Flynn. Flynn was also a highly popular actor who might not be that well known today, but his turn as Robin Hood in 1938’s The Adventures of Robin Hood has entered the canon of “great movies” and probably remains his most well-known performance. Another actor who was similar to Power and Flynn was Robert Taylor-who was to MGM what Power was to 20^th Century Fox-namely, their handsome leading man who could also handle action films. Like Power, neither Flynn nor Taylor were ever nominated for an Oscar. 

Despite not receiving a lot of acclaim for his acting skills, Power actually was a fine film actor, and his performance in the gritty 1947 film noir Nightmare Alley is excellent. Unfortunately, because it was such a departure from his usual screen image, Nightmare Alley was not heavily promoted by Fox and flopped at the box office. Power had worked very hard to get Nightmare Alley made, and it was no doubt a great disappointment to him that Fox didn’t promote it whole-heartedly. It was difficult for Power to find roles that didn’t rely only on his good looks. During the 1950’s Power became more dissatisfied with the kind of movies he was offered, so he acted in plays more and more frequently.

Director Billy Wilder had extremely high praise for Power’s work in Witness for the Prosecution. He said of Power:

“He was one of those rare occurrences in Hollywood, he was an absolutely totally gentleman….He was excellent and professional and prepared and intelligent…totally impeccable in his professional life…The picture we did together was one of the few joys of my professional life.” (The Secret Life of Tyrone Power, by Hector Arce, p.269) 

In his personal life, Power was an excellent pilot, a skill that served him well during his World War II service in the Marines. Power flew missions carrying wounded troops out of Iwo Jima and Okinawa during 1945. Like many men of his generation, Power never bragged about his military service, but he was proud of it. After World War II ended, Power dated Lana Turner. According to Turner’s daughter Cheryl, Power was the love of Turner’s life. Unfortunately, they never married and split up. I think it’s unfortunate they didn’t have any kids together, because those children would have been amazingly good looking. 

The film critic Jeanine Basinger is a huge Tyrone Power fan, and she has a full chapter about Power’s life and career in her 2007 history of the Hollywood studio system, The Star Machine. Basinger thinks that Power was the best-looking man ever, and, tellingly, the section in the index with the most entries for Power is “physical beauty of.” Actress Alice Faye, who co-starred with Power in three movies, said of him, “All my life, I was asked what it was like to kiss Tyrone Power.” 

Tyrone Power would have turned 100 in May 2014. His good looks and charisma still jump off the screen, and he’s a movie star who should be better remembered today.