Monday, March 5, 2018

Book Review: Shattered: Inside Hillary Clinton's Doomed Campaign, by Jonathan Allen and Amie Parnes (2017)


Cover of Shattered: Inside Hillary Clinton's Doomed Campaign, by Jonathan Allen and Amie Parnes, 2017.


Journalist Jonathan Allen

Journalist Amie Parnes
In their 2017 book Shattered: Inside Hillary Clinton’s Doomed Campaign, journalists Jonathan Allen and Amie Parnes set out to answer the same question that Hillary Clinton’s 2017 book examined: what happened? Allen and Parnes were granted almost unlimited access to Clinton’s campaign throughout the primary and general election campaigns, with the understanding that the information they were privy to would not be put in print until after the election was over. What they found was lots of dissent and turmoil within Clinton’s campaign, as rival factions of advisors battled it out to capture Clinton’s ear.

Allen and Parnes also found a candidate who could not sum up in an elevator speech why she was running. As the book opens, Clinton is about to officially announce her candidacy. However, the speech she is about to give has gone through major revisions by multiple people. Allen and Parnes write: “But Hillary still struggled with the question of whether she was running for Bill Clinton’s third term, Obama’s third term, or her own first term.”(p.13) I think the authors have an excellent point. Throughout the campaign, Clinton’s message was essentially: “The last eight years have been great. And I will do things slightly differently to make them even better!” That’s a more difficult intellectual position to articulate than Bernie Sanders and Donald Trump, who were both essentially shouting, “We gotta change everything!” 

Allen and Parnes also wrote that “Hillary didn’t have a vision to articulate. And no one else could give one to her.” (p.13) “Hillary had been running for president for almost a decade and still didn’t really have a rationale.” (p.18) I think that was the problem with Clinton’s candidacy. It was unclear why she was running, other than that it was finally her turnafter it had already seemed to be her turn in 2008, before Barack Obama spoiled everything. 

It’s a bit heavy-handed to say that Clinton’s campaign was “doomed,” especially since she actually won over 2.8 million more popular votes than Trump, but the authors paint a picture of a candidate and a campaign staff with no clear focus. As the authors write of Hillary, “In her view, it was up to the people she paid to find the right message for hera construction deeply at odds with the way Sanders and Trump built their campaigns around their own gut feelings about where to lead the country.” (p.138)

Campaign manager Robby Mook’s parsimonious ways come in for a lot of criticism in the book. Mook had just skeleton organizations in many states, and state campaign workers were constantly badgering the national staff for more resources. Clinton raised $1.4 billion dollars, according to The Washington Post. So why was there a need to economize at all? If $1.4 billion dollars isn’t enough money to run an effective Presidential campaign, then how much more money do you need?

Mook was also one of the staffers most enamored of the campaign’s analytics modelingwhich proved in retrospect to be extremely flawed. Bill Clinton was always pushing the campaign to reach out more to working-class white voters, but Mook’s repeated refrain was that the data didn’t match Bill’s anecdotes. Well, someone was wrong, and it wasn’t the former President. (p.237) An internal Clinton memo warned that 3-4 points should be added to Trump’s poll numbers. This savvy piece of advice might have caused Clinton’s team to reflect on their strategies, but it seems to have gone unheeded. (p.228)

Clinton’s analytics team was in favor of trying to boost turnout among the Democratic base, rather than trying to change the minds of undecided voters. This leads to another difficult issue the Clinton campaign facedmost people had probably made up their minds about Hillary Clinton back in 1992. One Clinton aide said, “The big challenge of this whole race was there were so many voters who were ungettable.” (p.397)

I think Clinton’s team took it for granted that they would get every single vote that Obama got in 2012, plus lots more votes from women. That obviously proved to be a huge mistake, as the so-called “Blue Wall” did not hold. According to exit polling, Clinton got 54% of the votes of all women, down from Obama’s 55% in 2012. In addition, Clinton’s numbers were down compared to Obama’s in 2012 among African Americans, Asians, and Hispanic/Latinos. Although the authors don’t touch upon this in the book, third parties may have played a role in Clinton’s defeat as well. Nationally, 5.9 million people voted for Gary Johnson or Jill Stein. That's 4.3% of the vote. Clinton lost Michigan by 11,000 votes. Gary Johnson got 172,000 votes in Michigan, and Jill Stein got 50,000. In a race with so many close states, those third parties may have made a difference. 

While it’s impossible to pin the reason for Clinton’s loss on any one factor, Shattered does an excellent job of going behind the scenes in Clinton’s campaign to reveal the problems they faced. If you’re interested in politics, it’s a fascinating, if frustrating, read.

Saturday, March 3, 2018

Book Review: Promise Me, Dad: A Year of Hope, Hardship, and Purpose, by Joe Biden (2017)


Book cover of Promise Me, Dad, by Joe Biden, 2017.


Joe Biden, Vice President from 2009-2017.
In December, I heard former Vice President Joe Biden speak at the Orpheum Theatre about his new book, Promise Me, Dad: A Year of Hope, Hardship, and Purpose. It was an emotional evening, as Biden spoke about his son Beau’s death from brain cancer. That’s the main subject of Promise Me, Dad, but readers also get glimpses into Biden’s duties as Vice President, and Biden’s thinking as he ultimately decided not to pursue the Democratic nomination for President in 2016.

Promise Me, Dad is that very rare thingan amazingly honest book written by a national politician. But then I think Joe Biden is an amazingly honest person. What you see is what you get with him. Promise Me, Dad is also a very moving book. Biden clearly had a very close relationship with Beau, and I can’t imagine how hard it was for him to watch Beau slowly be weakened by an awful disease. Even though there was little hope, Beau Biden signed up for every experimental treatment that was out there, hoping for a miracle. 

The book also sheds light on Biden’s relationship with Barack Obama, and it becomes clear that they developed a very close friendship. As Biden said about the memes that celebrate his friendship with Obama, “They’re basically all true.” However, Biden originally told Obama no when Obama wanted to vet him for Vice President. When Biden was very close to saying yes to the Vice Presidency, he said to Obama, “I want to be the last guy in the room on every major decision. You’re President. I’m not. I get it. But if it’s my experience you’re looking for, I want to be the last guy to make the case.” (p.64) 

One of the best anecdotes in the book is Biden’s meeting with Vladimir Putin. This was during the period when Putin was Prime Minister, rather than President, due to term limits. As they were meeting in Putin’s office, Biden turned around and was suddenly face to face with Putin. He said, “Mr. Prime Minister, I’m looking into your eyes. I don’t think you have a soul.” Putin replied, “We understand each other.” (p.95) 

A key passage in Promise Me, Dad, is when Biden describes his own political philosophy: “I believe all politics is personal, because at bottom, politics depends on trust, and unless you can establish a personal relationship, it’s awfully hard to build trust.” (p.129) Biden demonstrates that again and again in the book, as he details his relationships with foreign leaders, and his attempts to build trust with them. 

Will Joe Biden run for President in 2020? He’ll be 77 years old in 2020, and 78 years old on January 20, 2021that’s older than Ronald Reagan was when he left office in 1989. But you never know, and as Promise Me, Dad shows, Joe Biden is a man who just keeps going when he’s facing adversity.

Friday, March 2, 2018

Album Review: Lindsey Webster, Back to Your Heart (2016)


Album cover for Lindsey Webster's Back to Your Heart, 2016.


A smiling promo photo of Lindsey Webster.
Since releasing her first album in 2013, Lindsey Webster has been making a name for herself as one of the most successful up and coming smooth jazz/R&B artists. She’s been named Contemporary Jazz Artist of the year for both 2016 and 2017 by Billboard magazine, and she’s scored several Top Ten hits on the Smooth Jazz singles chart. I first heard of her when she was interviewed in the Minneapolis Star Tribune last year ahead of her show at the Dakota Jazz Club. I didn’t make it to her show at the Dakotalife gets busy with two small kidsbut I made a note to check out her music. I was blown away by Webster’s powerful vocals and her jazzy style. 

Webster has a soulful, sexy voice that’s full of emotion. She mixes R&B and jazz influences into a style that’s all her own. Webster is married to Keith Slattery, who is her musical collaborator as well. Slattery plays keyboards and he and Webster co-wrote all of the songs on Back to Your Heart. 

The songs on Back to Your Heart are primarily love songs, but they cover a wide range of emotions. There’s the bold “Ain’t It Funny,” complete with a jazzy horn section. Lindsey has some sass in her voice on that song, as she tells off an ex-boyfriend who had a roving eye. “Back to Your Heart” is a sultry album opener, as Webster sings about a partner who isn’t there for her. She sings, “My love was always too much/and you could never handle it as such.” The song is an excellent vehicle for Webster’s ability to sing both lead and backing vocals. She’s the only vocalist on the whole album, an impressive feat. “Back to Your Heart” also features a nice solo from guitarist Mike DeMicco—who I saw with the Brubeck Brothers at the Dakota last November. (I reviewed that show here.) The last minute of “Back to Your Heart” is a superb showcase for Webster’s vocals, as she improvises around the melody—it’s fun to hear. “Somehow” is an emotional song, dedicated to Webster’s mother. It’s a beautiful song that anyone who has lost someone they love a lot can relate to. There are also sexy slow jams, like “Where Do You Want to Go,” which has a late-night vibe, as Webster sings about “getting ready to explore” with her partner. The song has a hypnotic groove that’s easy to get lost in. “Next to Me” is a sweetly yearning song, as Webster sings the chorus: “Let’s go down beneath the waves/and stay under there for days/I don’t find the need to breathe/when you’re next to me.” Slattery gets to show off his keyboard chops on that song. The album closes with the sensual “Fast and Slow,” in which Lindsey promises her soon-to-return partner, “We can do those things you like/all those things.” Webster’s vocals on this song are excellent, as she hits some very high notes. 

The musicians on Back to Your Heart are all superb, creating just the right mood for Webster and Slattery to mix their music and lyrics into. Guest star Kirk Whalum contributes a lovely saxophone solo on “One at a Time.” 

If you enjoy jazz or R&B, check out Lindsey Webster—she has a fantastic voice, and the original songs that she and Keith Slattery have written on Back to Your Heart are melodic and memorable. Webster’s new album Love Inside will be released on March 16th. I’m looking forward to hearing it.

Thursday, March 1, 2018

An Appreciation of My Favorite Movie: Clue (1985)



Poster for Clue, 1985.


The cast of Clue. From left to right, Lesley Ann Warren, Martin Mull, Madeline Kahn, Michael McKean, Tim Curry, Christopher Lloyd, and Eileen Brennan.

The lovely Colleen Camp as Yvette the maid.
Warning: There will be spoilers in this article. If you don’t want to know details about the 3 different endings of Clue, just stop reading here. Or go watch the movie and then come back. 

Confession: Clue is my favorite movie. Why? Well, because it’s hilarious, and because I still find it hilarious even after I’ve seen it many, many times. I first saw Clue at a very early agenot in the theaters, but shortly afterwards on VHS, and it quickly became a staple of my childhood viewing. By the time I was 10 I could quote most of the dialogue. I was also a big fan of the board game Clue, which no doubt helped the movie become such a favorite of mine. Clue wasn’t a hit when it was released in December of 1985, although it soon attracted a small but dedicated following thanks to VHS and TV. 

Recently my wife and I saw Clue again, at the Trylon Cinema in Minneapolis. It was a lot of fun to see it on the big screen with a packed house. (I’d seen Clue on the big screen once before, at one of the midnight screenings at the Uptown Theater.) One thing that made the movie more enjoyable for me this time was the guy sitting in front of me who was seeing Clue for the first time, and couldn’t help but utter “Oh my God!” anytime something surprised himwhich was often. It was fun to hear such a genuine reaction from someone being introduced to the movie for the first time. 

The writing in Clue is clever and sharp. The screenplay was written by Jonathan Lynn, who also directed, and John Landis. Lynn had a unique vision for Clue, setting the film in a New England mansion in 1954. Rather than make the characters jet-setters, Lynn connects them all to Washington, D.C. and the federal government. During the course of the film we learn that all of the characters are being blackmailed. These are people who are living in moral grey zoneswhich may make it easier for one or more of them to commit the murders that keep occurring throughout the evening. 

What has also made Clue such a cult classic is the fantastic cast, made up of wonderful, hilarious character actors: Eileen Brennan as Mrs. Peacock, Tim Curry as Wadsworth the butler, Madeline Kahn as Mrs. White, Christopher Lloyd as Professor Plum, Michael McKean as Mr. Green, Martin Mull as Colonel Mustard, and Lesley Ann Warren as Miss Scarlet. Clue was responsible for Madeline Kahn being one of my first childhood crushes. (I guess I overlooked the fact that she may have killed all of her husbands.) And there’s also the lovely Colleen Camp as Yvette, the requisite sexy French maid. (Camp won the role in part by showing up to audition in a French maid costume.) 

There are many lines that I did not get when I was a child, like some of the following exchanges:

Colonel Mustard: “How many husbands have you had?”
Mrs. White: “Mine, or other women’s?”

Mr. Green: “So it was you. I was going to expose you.”
Wadsworth: “I know. So I choose to expose myself.”
Colonel Mustard: “Please, there are ladies present!”

Colonel Mustard: “Why is J. Edgar Hoover on your phone?”
Wadsworth: “I don’t know, he’s on everybody else’s, why shouldn’t he be on mine?”

Wadsworth: “Professor Plum, you were once a professor of psychiatry specializing in helping paranoid and homicidal lunatics suffering from delusions of grandeur.”
Professor Plum: “Yes, but now I work for the United Nations.”
Wadsworth: “So your work has not changed.”

Clue was famously released with three different endings. In newspapers, these were designated as endings A, B, and C, so people would know which theater was showing which ending. Of course, this meant that in order to see all three endings, you needed to see the movie three times, which I’m guessing not many people did. I wonder how the movie was screened for critics? Did they get to see all three endings? (It’s hard to believe that Lynn got the studio to go along with the three different endings gimmick.) 

When Clue was released on VHS, and shown on TV, endings A, B, and C were all stitched together and run continuously. The title cards in between the endings made it clear that ending C was the “real” ending. (“But here’s what really happened.”) 

Let’s talk about those endings, shall we? Ending A, the “Miss Scarlet and Yvette did it” ending, is pretty good, and somewhat believable. Where it runs into difficulty is that there’s not a strong motive for Miss Scarlet to kill the motorist and the singing telegram girl. Honestly, it seems unlikely that anyone would shoot the singing telegram girl, as her death is dependent upon someone having the time to rifle through the blackmail evidence against everyone and recognize the singing telegram girl as the patient Professor Plum had an affair withand then make the quick decision to kill her. 

Ending B, the “Mrs. Peacock killed them all” ending, is a bit odd, as it just doesn’t make a lot of sense for Mrs. Peacock to have killed all these people, most of whom she had no connection to. However, it does give us this great exchange:

Wadsworth: “You see, like the Mounties, we always get our man.”
Mr. Green: “Mrs. Peacock was a man??”
(Colonel Mustard and Wadsworth both slap Mr. Green) 

Ending C makes the most sense to me, as each guest kills someone they were connected to. It’s eventually revealed that Wadsworth is the real Mr. Boddy, and Mr. Green is actually an FBI agent. It also sets up a pretty hilarious final line from McKean.

Mr. Green’s secret identity does make some sense, since he’s the character we learn the least about during the movie. Rather than have Wadsworth detail the offense he’s being blackmailed for, Mr. Green stands up and outs himself as a gay employee in the State Department. Also, none of the additional people who come to the mansion have any connection to Mr. Green. 

But this leads to more questions about Mr. Green. Why is he posing as a gay State Department worker? Maybe he’s getting information about gay State Department workers for the FBIas they could be susceptible to blackmail. Or is he a stand-in for the real Mr. Green, who alerted the FBI when he got the letter in the mail? If that were the case, Wadsworth would be a lot more thrown off by the presence of the fake Mr. Green. Also, you can see there’s a picture of McKean as Mr. Green in the packet of evidence that Wadsworth haswhich would be impossible for Wadsworth to have if McKean’s character were a stand-in for the real Mr. Green. 

Or maybe the FBI knew there was a blackmail ring in DC, and sent undercover agent Mr. Green to work for the State Department, posing as gay in the hopes that he would become a victim of the blackmail ring, and then they could get more information about the blackmailers. That seems like a lot of work. But, in this case, it ended in a very successful smashing of the blackmail ringalbeit with a very high body count. 

So go watch Clue again. Chances are you’ll see or hear something you haven’t noticed before.